We are very happy to be back with the 18th issue of KunstMusik.
It took us a while to produce this new number, but, as you know:
haste makes waste. Since we changed our modus operandi from having a
regular editor-in-chief to asking a different guest curator to
supervise each issue, our workload and responsibility for nding the right one have increased.
We asked the curator of the last two issues (No. 16 & No. 17 – about intonation),
the Canadian-German composer Marc Sabat, to recommend his own successor to us, and Marc suggested Lucie Vítková.
We were really excited and curious because we did not know Lucie and her work beforehand,
but, of course, we fully trusted Marc’s reference.
And here we are with issue No. 18, curated by Lucie Vítková.
It does not discuss a specic musicological subject, but,
rather, gives some genuinely stimulating insights into
some of the most current developments in New York’s experimental
music scene. For the first time in the history of KunstMusik,
we have exclusively female authors and yet, at the same time,
this group is quite diverse and inclusive in age, gender and origin.
Their perspective is refreshing, opinionated and exciting.
We hope you are as thrilled as we are!
Maria de Alvear & Udo Moll
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Dear friends and readers
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Freundliche Grüße von
With kind regards
Maria de Alvear