 |
|
Content: #15 – Frühjahr/Spring 2013
All texts in English
MIGUEL ANGEL TOLOSA
INTRODUCTION
STEVE RODEN
265 x 433 (EXCERPT)
Excerpts from a diary of daily performances of John Cage’s 4’ 33’’: Notes, sketches, lists of sounds, concrete poetry, short prose texts.
ANTOINE BEUGER/SAMUEL VRIEZEN
ASKING QUESTIONS, TRYING ANSWERS
Documentation of an e-mail-coversation: the inside and the outside name of music, the pre-existence of pieces, intercorrelations in music, the politics in musical form, participation, extra-musical influences and atmosphere, is there ever an end to be written?
MANFRED WERDER
SCORES
Six score facsimiles and a photo. Objets trouvés in performance
WILL MONTGOMERY
FIVE WAYS OF LOOKING AT MANFRED WERDER
Five experiences from watching the endles in-space-performances by Manfred Werder. Sound and absence, space and awaiting. The feeling of abundance.
WADE MATTHEWS
THREE SUPPOSITIONS
Music as a dishrag: music as something that absorbs what it touches. Invading and shaping sound. Music as a die: the graceful and fragile gesture of flinging out a tone. Music as a mark: creating meaning and orientation.
MATTIN
NOISE VS CONCEPTUAL ART
A political text. The anarchy of noise. Noise as meta-chaos. Noise in the state of crisis. In extremes we meet!
info@world-edition.com
|
|
|
|
#15 – Spring 2013
|
| |
MIGUEL ANGEL TOLOSA
STEVE RODEN
ANTOINE BEUGER / SAMUEL VRIEZEN
MANFRED WERDER
WILL MONTGOMERY
WADE MATTHEWS
MATTIN
Nr.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
|
|
