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Content:  #15 – Frühjahr/Spring 2013

All texts in English

MIGUEL ANGEL TOLOSA
INTRODUCTION

STEVE RODEN
265 x 433 (EXCERPT)
Excerpts from a diary of daily performances of John Cage’s 4’ 33’’: Notes, sketches, lists of sounds, concrete poetry, short prose texts.

ANTOINE BEUGER/SAMUEL VRIEZEN
ASKING QUESTIONS, TRYING ANSWERS
Documentation of an e-mail-coversation: the inside and the outside name of music, the pre-existence of pieces, intercorrelations in music, the politics in musical form, participation, extra-musical influences and atmosphere, is there ever an end to be written?

MANFRED WERDER
SCORES
Six score facsimiles and a photo. Objets trouvés in performance

WILL MONTGOMERY
FIVE WAYS OF LOOKING AT MANFRED WERDER
Five experiences from watching the endles in-space-performances by Manfred Werder. Sound and absence, space and awaiting. The feeling of abundance.

WADE MATTHEWS
THREE SUPPOSITIONS
Music as a dishrag: music as something that absorbs what it touches. Invading and shaping sound. Music as a die: the graceful and fragile gesture of flinging out a tone. Music as a mark: creating meaning and orientation.

MATTIN
NOISE VS CONCEPTUAL ART
A political text. The anarchy of noise. Noise as meta-chaos. Noise in the state of crisis. In extremes we meet!

info@world-edition.com
Heft 1 - Herbst 2003 #15 – Spring 2013

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MIGUEL ANGEL TOLOSA   STEVE RODEN   ANTOINE BEUGER / SAMUEL VRIEZEN   MANFRED WERDER   WILL MONTGOMERY   WADE MATTHEWS   MATTIN



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